Mpaop

Motion Pictures Archive of Pakistan

Aslam Bhatti

 

 

 

 

 

 

 

 

 

 

Aslam Bhatti

A actor, Producer, cinema owner and businessman.

 

Former actor and producer Aslam Bhatti was son of Abdullah Bhatti who was a renowned film producer and owner of Odeon cinema, saddar Karachi. An data was most popular film of Abdullah Bhatti. Aslam Bhatti, a hotelier and chairman of AB Pictures, Bhatti also produced a few films and TV serials and acted as well in the self-financed movies like Sultanat and Godfather. He tried to bring closer celebrities from India and Pakistan in order to help normalize relations among the entertainment fraternity of the two countries. A resident of Dubai for a long time, Bhatti financed a 30-episode big budget project TV series titled Sultanat which was a biopic on the life of Bhatti himself. In 2007, he had also financed an Urdu thriller Godfather, featuring film starts from Bollywood and

Some Facts…..Aslam Bhatti

Real Name:

Aslam Bhatti

Father’s Name:

Abdullah Bhatti

Debut Film:

Sultanat

Children:

Hussain Aslam Bhatti

As Producer:

Sultanat

Godfather

Demise Date:

December 1, 2018

Lollywood including Vinod Khanna, Meera, Arbaaz Khan, Ajab Gul, Shafqat Cheema and Atiqa Odho. Aslam Bhatti was also well taken for his social work, especially his services for Khichi family in Bhit Shah Island.

 

 

Demise of the Artist 

Aslam Bhatti died on December 3, 2018 at Dubai after a heart attack. He was son of Abdullah Bhatti who was a renowned film producer and owner of Odeon cinema, saddar Karachi. Body of Aslam bhatti was brought from Dubai at Bhitt Shah Island and funeral prayers were held at Zebra Farm on December 3, 2018.

(innaMay Allah rest the departed soul in eternal peace)

 

Filmography

For detailed filmography, proceed here

 

 

 

Latest News / Events

NC so far…….

 

 

 


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Dear Viewers,

Undoubtedly, all the artists and professionals of cine-world have indeed worked very hard, spent their days and nights in making motion pictures just to amuse and entertain us. Some of their film work proved to be a master piece but what so ever their business status was; one factor is established that it is now part of our cultural history. Unfortunately, mostly their work being destroyed just because of the mentioned reasons while negating its importance. Thus there is dire need to do some arrangements to preserve it with the same zeal and enthusiasm what rest of the world is doing.

 

 

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From:

Curator mpaop (Motion Picture Archive of Pakistan)

Tahir Nadeem

 

 
 
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