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Aas Paas | Mpaop


Motion Pictures Archive of Pakistan

Aas Paas

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1957 Films



 February 22, 1957 Urdu

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All possible details about the movie are appended below……. ………however looking forward for your input / information about this film, please.

Genre: Drama l Fiction Color: Run Time: NC



Credited cast:

Allaudin Allaudin
sabiha Sabiha Khanum
aslamparvez Aslam Pervez
yasmeen Yasmin
nazar1 Nazar
Nighat Sultana Nighat Sultana
Asha Posley
image not aval Akhtar
image not aval Neeli
image not aval Nayab Sarhadi
Sultan Khosat
image not aval Bukhari (Debut)
sawan Sawan
image not aval Sikandar (Debut)
image not aval Sarfraz (Debut)
M. Ismail

Complete credited cast: NC

Film Details with Crew

Released Date: February 22th 1957
Production: Munawar Movietone
Producer: S.A. Munawar
Director: M. A. Rasheed
Writer / Story: Anwar Batalvi
Zahir Kashmiri (Story)
Lyrics: Arman Usmani
Shorish Dehlvi
Mujeed Sawan
Sahil Farabi
Qamar Lakhanvi
Screenplay: M.A. Rasheed
Dialogs: M.A. Rasheed
Choreography: F.Aziz
Make Up: Rehmat
Anis (Assistant)
Latif (Hair Style)
Wardrobe: Master Siraj
Fight Instructor: NC
Processing: Piarey Khan
Mahmood Shah (Assistant)
at Evergreen Laboratories Lahore
Sound Recordist: C.Mandody (Songs & Rerecording)
Abrar, Nilson (Assistant)
Dialogs Recording: Aslam Choudhry
Production Incharge: Kamil Qureshi
Majid Sawan 
Production Manager: B.A.Kausar
Associate Director: NC
Chief Assistant Director: Naseem Chughtai
Assistant Director: S.A. Bukhari
Khawaja Sarfraz
Editor: Ali
Mahmood Asghar, Mirza (Assistant)
Cinematography: Sheeda
Still Photographer: NC 
Titles: NC
Art Director: Ramzan
Siraj, Shad (Assistant) 
Operative Cameraman: Fayaz (Assistant) 
Film Studios: Malika Studios
Music: Akhtar Hussain Akhiyan
Manzoor Khalid (Assistant)
Singers: Zubaida Khanum
Kousar Parveen
Saleem Raza


Technical Specifications

Language: Urdu
Genre: Drama l Fiction
Run Time: NC
Length: NC
Sound Format: Mono l Analogue
Aspect Ratio: Flat 4:3







Composed by


Aa Aa Aa Be-Dard Zamane Walon Ne Kab Dard Kissi Ka Jana Hai, Jag Se Koi Umeed

Saleem Raza Sahil Farabi  Akhtar Hussain Akhiyan 


Aa Aa Aa Tere Liye Dil Be-Qarar Hai Teri Qasam, Tujh Se Mujhe Piyar Hai

Zubaida Khanum Sahil Farabi  Akhtar Hussain Akhiyan 


Banke Raseele Hain Nain Tore Banke, Kahin Lage Na Julmi Najareya More Sanwariya

Kousar Parveen Qamar Lakhanvi Akhtar Hussain Akhiyan 


Be-Qabu Hai Mera Dil Bari Mushil, Ye Sama Beete Na Bin Tere

Zubaida Khanum Sahil Farabi  Akhtar Hussain Akhiyan 

Dekhna Piya Bhool Na Jaiyo Na, Payal Ki Chhanak Baje Chham Chham Chham

Zubaida Khanum Sahil Farabi  Akhtar Hussain Akhiyan 


Ho Ho Tu Ne Jab Se Nain Milaye, Mere Dil Pe Teer Chalaye

Kousar Parveen Mujeed Sawan Akhtar Hussain Akhiyan 


Keya Koi Muskaraye, Jub Dil Hi Toot Jaye, Duniya Mein Arzu Ke Sare Diye Bujhaye

Saleem Raza Sahil Farabi  Akhtar Hussain Akhiyan 


Mere Bichhre Hoye Sathi Ko Ja Kar Ye Suna Dena, Teri Furqat Mein Rota Hon Jaun Kahan

Saleem Raza Shorish Dehlvi Akhtar Hussain Akhiyan 

Meri Bekasi Hai Zahir Tere Gham Se Ashkara

Kousar Parveen Arman Usmani Akhtar Hussain Akhiyan 


Meri Nazron Mein Koi Samane Laga, Dil Merjhom Kar Aaj Gane Laga

Kousar Parveen Sahil Farabi  Akhtar Hussain Akhiyan 

Mohabbat Hoi Hai Sitam Ka Nishana, Raha Do Dilon Ka Udhora Afsana

Zubaida Khanum, Saleem Raza Sahil Farabi  Akhtar Hussain Akhiyan 

(For more details go to Songography)





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Dear Viewers,

Undoubtedly, all the artists and professionals of cine-world have indeed worked very hard, spent their days and nights in making motion pictures just to amuse and entertain us. Some of their film work proved to be a master piece but what so ever their business status was; one factor is established that it is now part of our cultural history. Unfortunately, mostly their work being destroyed just because of the mentioned reasons while negating its importance. Thus there is dire need to do some arrangements to preserve it with the same zeal and enthusiasm what rest of the world is doing.



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Thank you & profound regards,



Curator mpaop (Motion Picture Archive of Pakistan)

Tahir Nadeem


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